Crochet-covered Lion installations
for the 2012 summer exhibition at the Palace of Versailles
by Portuguese contemporary artist Joana Vasconcelos
Contamination is the process which joins crocheted medallions used to cover porcelain faience animals, etc.
Alphonse Mucha Photograph Postcard
— Louisa May Alcott (via observando)
David Maisel - History’s Shadow (2012)
“My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadow provides for the continuation and expansion of these intertwined themes.
During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.”
The Selfish Giant.
Promotional film posters are a dime a dozen in most major cities – plastered over walls and on electronic billboards as far as the eye can see – but few know how to nail them quite like Agatha A. Nitecka. The film photographer has shot posters and promotional materials for films from Wuthering Heights to For Those in Peril, and unusually for her profession, she works entirely on film.
She explains: “I work in quite an unusual way – not very commercially friendly, perhaps. I shoot on 35mm film, walking around film sets with two cameras, and prime lenses only, one loaded with a colour roll and the other one with black and white film. I work very closely with directors and bring a fine art approach to film stills.”
We were especially enamoured by her work for The Selfish Giant. Directed and written by Clio Barnard, the film was met with huge success, and has been described by critics as something of a contemporary fable, focusing as the story does on the plight of two young boys from a working class background. Agatha captured the film’s characters and atmosphere in her own inimitable way, trailing around the set with the cast to shoot them with a kind of integrity that promotional images rarely encapsulate.